Oh I see.

Everyone’s particular disguise choices will be discussed on the next page, just FYI.

Please ignore the fact that the bridge of the ship looks totally different than the last time Sydney was on it. And also it might probably look different the next time I draw it 600 pages from now. Cora and crew do a lot of upgrades. Or maybe that other scene was set on the backup bridge for some reason? I dunno.

I do sometimes wish I was one of those artists that really enjoyed drawing meticulous technical things, be it cars, mecha, sci-fi corridors or space stations, guns or just cluttered interiors. Or spaceship bridges. But I’m just not. Even when I tried doing stuff like that in the past, like drawing a fantasy library or something full of arcane tomes, I’d get one shelf nicely detailed but then get bored with the tedium of it all and the books would get progressively thicker and the bindings less intricate and eventually the third shelf would have unpacked boxes, presumably of highly detailed books inside. I think there’s some intersection of autism and ADHD that allows people to really dive into elaborate art like that, and my balance is too far on the ADHD side. I’m like, “I should draw a cool arcane college library.” but I get an hour into it and my brain realizes that I can either spend the next 40 hours doing that, or I could draw some half-orc warrioress in a tight top standing in the foreground and unfortunately blocking the view of so many of the shelves.

I’m sure people will wonder about Sydney’s supply of special Dabbler potions, and I suspect that topic might come up later during this adventure.


There is a new one coming soon, I promise!

The vote incentive is finally done!

The update to the TWC image is pretty minor, but the Patreon version has the bonus comic as well as nude versions. I will strive to make the next one more timely.

 

 


Double res version will be posted over at Patreon. Feel free to contribute as much as you like.